The Right Sort of Yellow?

Those of you who’ve spent a long time around these parts will remember that when we moved into our house the living room was painted a rather gaudy egg yolk yellow (with a bright red fireplace, but that’s another story) that turns into a rather nasty mustard-y colour in the evenings under electric light.

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For the past three years I have been agonizing about what colour to paint instead. You may remember that I’ve considered every permutation of pink and green but couldn’t find anything that worked. 

A big problem is that we’re contending with three very different sorts of light – bright, bright sunlight throughout the summer (the room faces southeast and has windows on two sides); the sort of grey murky gloom that only Seattle can produce the rest of the time and yellow tungsten light in the evenings.

I finally got to thinking that maybe yellow was actually the way to go, just not that egg yolk-y yellow. So I looked for a yellow the colour of lemongrass, just on the cusp between yellow and green.

And we came up with Benjamin Moore’s Cypress Grove – which is a cool lactic yellow, the colour of unsalted butter, in the tin

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but ends up having a distinct greenish tinge on the wall.

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The green looks particularly pronounced in the soft grey light Seattle does so well.

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And it looks sophisticated and interesting in tungsten light

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And not too overwhelming in bright sunlight.

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What do you think?  The Husband loves it but I’m not 100% convinced, though I can’t quite put my finger on why.  It seems a little too wishy-washy for me, though I have absolutely no idea what I’d replace it with. 

I’m going to keep going with it for the moment as at least it’s hugely much better than what was there before. And it’s difficult to tell as the ceiling is now all wrong and needs to be painted urgently and I think the white of the woodwork is too bright a white.

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Anyway, questions for you

– What do you think?

– And would you take that same colour into the seating area or paint the walls there some sort of white?

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Happy Tape – Japanese Masking Tape

 

How crazy is it that I’m seriously considering dropping $50 on a selection of cheerful packing tapes and a dispenser? And just when I’m thinking that the house needs a serious de-clutter?

The pictures are so cheerful and apparently hit exactly the same colour-loving sweet spot in my brain that beautiful yarn does -  ‘ooh.  pretty.  colours.  BUY’.  And I know that the Minx, who is in the throes of a long and passionate love affair with Sellotape, would spontaneously combust with delight.

But for the moment, I shall content myself with the ogling the pretty pictures.  Maybe I’ll get myself some as a reward if I ever manage to tidy my desk. All these beauties are available from Happy Tape’s shop here, please don’t tell me if you buy some.

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Pasta with Leeks and Ham – Pasta con Porri e Prosciutto

You know how you suddenly remember a recipe and then go through a phase of cooking it ALL the time? Well, we’re currently going through a ‘pasta with leeks and ham’ phase, which we’ve been having once a week since Christmas. It makes a tremendously quick, easy and delicious weekday supper.

It certainly helps that in the grey tail end of the Seattle winter, when most other vegetables have invariably been flown in thousands of miles from Mexico, the supermarkets are full of beautiful white and green leeks. 

For this recipe you need to slice thinly a heap of slim and pretty leeks (I think this was about five leeks).

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Then melt a knob of butter and a slug of olive oil in a deep-sided saute pan.  I use oil so I can pretend this is more healthy but it’s sadly one of those recipes which improves the more butter is added. If you just want to melt one ginormous lump of butter then I won’t stop you.

When the butter/oil has melted add the sliced leeks and stir until they’re completely covered in the butter, then add about a cupful (8 fl oz or 1/4 litre) of chicken broth or stock. Turn the heat right down and braise the leeks gently, uncovered, for about 30 minutes until the leeks are soft and sweet and the liquid is mostly absorbed. This is a very traditional Italian way of cooking leeks. My mother would do this, replacing the stock with white wine or vermouth and then serve the leeks as a side vegetable. But I digress…

Meanwhile cook some pasta (I like using rigatoni or penne – anything tube-y – with this).

When the leeks are done, add a few slices of cooked ham, chopped into matchsticks, and half a cup (4 fl oz or 1/8 litre) single cream (half and half). Heat everything through, stir into the pasta and then add as much grated Parmesan as your diet will allow.

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Buon appetito!

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Ask Auntie P – Where Do We Stand on Feature Walls?

A real life friend of mine is wondering whether to do a wallpaper feature wall, and I thought I’d put it to you guys as well to see if you could help.

Said friend is doing up a sixties cottage in Northern Ireland and is wondering whether to do a feature wall with wallpaper.

First up, I much prefer feature/accent walls with wallpaper rather than paint. A painted feature wall often looks like you’ve just run out of paint. But wallpaper feature walls are a good way of using pattern without getting too overwhelmed, and can let you indulge in expensive wallpaper on a budget.

For me a feature wall can be great as long as they’re used sparingly and for a reason.  I grew up in London suburban semi-detached house with psychedelic seventies feature walls in every room, and that was definitely overkill.

Feature walls draw attention, so I think the key point is to think about what you’re drawing attention to and whether it’s actually worth focusing on. And of course they’re great ways of injecting colour and pattern into a room (though they might make it more problematic to use colour and pattern in other ways such with curtains or cushions).  And you can use them to delineate space – such as separating out a dining area.

Here are some feature walls which I think work. 

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From Elle Deco UK (Jan 2010). I absolutely LOVE this New York loft.  The feature wall here draws the eye upwards to emphasize the ceiling and injects a splash of beautiful colour.  But note how minimalist everything else is.

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From Ideal Home (Nov 2009).  It delineates the dining area beautifully. But again everything else is incredibly spare.

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From Graham & Brown’s website.  This is quite subtle and mostly adds texture rather than emphasis.

 

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This accent wall from Living Etc is reflected in a mirrored wall. It probably looks like a brothel in real life. But everything else is plain, uncluttered and subservient to the paper.

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This comes from Decorpad.com though I’m not sure where it was sourced originally.   The feature wall is nice, but it’s starting to clash with all the other clutter in the room.

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This last is fabulous. It works because it is subtle despite the scale of the pattern, and again because everything else is kept so neutral and uncluttered. {From Colour Me Happy}.

What do you think? Would you do a feature wall in your home? If you’ve got a feature wall, do you have any advice for my friend? 

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Small But Perfectly Formed

As you may have noticed I’ve become slightly obsessed by all things tiny and dollshousy recently, so I was thrilled and delighted to see a dolls house, would you believe, get a full editorial spread in last month’s Elle Deco UK.

Of course in order to hold its own against the fabulous full size apartments on show, this was of course no ordinary dolls house.  It’s a pretty vintage 1960s house full of lovingly collected vintage furniture and showcasing miniature versions of designer Deborah Bowness’s handprinted trompe l’oeil wallpapers, put together by Bowness and her friend Emily Chalmers of East London vintage store Caravan

I sort of want to move in immediately.

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Adventures in Knitting – I Saw Three Gifts

 

Just a quick and very belated knitting update. I thought I ought to knit the Minx and the Husband something for Christmas seeing as they’re always watching me knitting things for myself.

I made the Minx something called a Calorimetry from some novelty handspun I found on here on Etsy.

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The Husband got a Windschief cowl to match his eyes in DK Silky Cashmere in the Limited Edition Old Jade colourway (and yes, he is spoilt) from Sundara (this is so he can’t complain about the amount of money I spend in that woman’s direction).

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And I, because of course I can only knit unselfishly for so long, treated myself to a pair of fingerless gloves in merino silk Opulence in the completely stunning Chocolat Chambord colourway from the Woolen Rabbit.

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I have promised myself I won’t start anything new until I’ve finished all my works in progress from last year. So I’m currently plodding through my Lace Shawl, my Interminable Blanket and a sweater I started knitting at the tail end of lat year.

All details as before on my Ravelry page – come and be my friend.

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Go Love Your Room? Jean-Christophe Aumas

 

I’m genuinely torn about this apartment which I found in last month’s Elle Deco – UK (yep, I’m only now getting the chance to go through my Christmas magazines, so look out for lots of ideas for Christmas decorating and table settings etc in the coming weeks). The apartment belongs to French art director Jean-Christophe Aumas, who creates window displays and events for big names such as John Galliano, Chloe and Diptyque.

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At first I didn’t really like very much – the colour scheme, all baby pink, acid lemon, teal, black and grey and red seemed incoherent and unpleasant and the whole thing felt somewhat bitty, disjointed and just plain messy.

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But the more I looked, the more quirky, fascinating details I saw.  I love the way he plays with and echoes geometric shapes,

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the blocks of colour, the way he hangs his pictures and sets his tables on an angle to reflect the diagonals in the herring bone flooring,  the interesting objects such as the domes on the mantelpiece, the light fittings, the three triangles painted where the wall meets the ceiling, the turquoise shower, the brightly coloured accessories.

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I wouldn’t necessarily want to live here, but I’d love to visit and look around and pick up the objects and ask where they all come from. It’s interesting and fascinating and quirky, and for that I forgive it much.

What do you think?

 
By the way, this has reminded me how much I love the Alexander Girard wooden dolls.
 
If only they didn’t cost $160 EACH.  Or a mere $1,600 for all eleven. Ha ha ha.  If you’re feeling disgustingly rich, then go buy them here.
 
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Today I Am Mostly…

…lighting candles

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Actually this is me playing around  with the January challenge for Holly Decor8’s Interior Styling group on Flickr. The challenge is as follows:

‘ Put 3, 5, or 7 of your favorite things on a tabletop. Only 3, 5 or 7, no more, no less. Arrange them in a triangle style – highest in the middle and work your way down. Try using a framed picture leaning against the wall for the middle, or a tall vase, lamp, flower arrangement, or anything else that is tall and centered’

The weather has been horribly grey and rainy for the past few days here in Seattle, so I decided to play with candlelight instead. I don’t think this really works for the challenge as the area I was styling (our built in bookshelves ) meant I had to take it from the side. And it has absolutely no ‘wow factor’ .

This interior styling malarkey is really difficult. What would you do to make this photo better?

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While We’re On The Subject of Granny Squares

 

I came across these fabulous pictures in Holly Decor8’s Interior Styling pool and had to share them with you.

I am now having to sit on my hands I’m so desperate to start crocheting a granny square garland. What a great idea. And absolutely gorgeous styling too.

{Idea and pictures from Dottie Angel. This is why I’m learning to crochet. I also want those knitting needles – does anyone know what make they are?}

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