Separated At Birth – Mandy Moore 2011

 

Every year one lucky actress wins the Come As Your Favourite Muppet competition and this year Mandy Moore drew the short straw. 

 

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                                  Mandy Moore                                                                                          Grover
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Separated At Birth – Melissa Leo Oscars 2011

 

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                        Melissa                                                                                                     Elvis

Her speech didn’t offend me, but her peculiar broderie anglaise and tinfoil dress really did.

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Separated At Birth – Gwyneth Paltrow Oscars 2011

 

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                 Donatella                                                                                                      Gwynnie

Ever so slowly our dear peroxide-addicted Gwynnie is morphing into Donatella Versace. But at least Donatella doesn’t try to sing. (Why, Oscars producers, why?)

 

   
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Separated At Birth – Annette Bening Oscars 2011

 

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Annette Bening                                                                                                     A Skeleton

 

She was my pick for Best Actress (though a lot because I can’t BEAR Natalie Portman) and she generally makes good red carpet choices, but there was something rather too anatomical about this rhinestone-encrusted dress. Though a 50 year old who can wear something that draws all eyes straight to her midsection is a brave woman indeed.

   
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Separated At Birth – Anne Hathaway Oscars 2011

 

In a night where the King’s Speech swept the major awards before it, Anne Hathaway paid her own small tribute to things old-fashioned and British.

 

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             Anne Hathaway                                                            Royal Mail pillar box

 

She’s uber talented (didn’t know she could sing like that) but goodness that was just too much irritating perkiness, girlish giggling and squeeing for one evening.

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Downton Abbey – On Location at Highclere Castle

 

Late last autumn the UK part of my Twitter feed started buzzing with chatter about Downton Abbey, a new ITV period drama, set in the halcyon years of the Edwardian era just before the outbreak of the First World War.

 

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We managed to er, acquire it just after Christmas and loved it, though it hit every single ‘missing England like crazy’ button I possess.

It’s a typically English class-ridden frothy costume drama, about the fictional aristocratic Crawley family and their servants, with a fine, witty script by Julian Fellowes (Gosford Park); Maggie Smith, being Maggie Smith at her most imperious; a stellar cast of well-known British actors and ridiculously exquisite costumes.  It’s currently being shown in the US, and the US part of my Twitter feed is now similarly alive with love for it.

The star of the show though, is Downton Abbey itself, or more properly the splendidly overwrought Highclere Castle in Berkshire, the seat of the Earls of Carnarvon, which was rebuilt in 1842 in High Elizabethan style, by Sir Charles Barry after he’d finished building the Houses of Parliament.  The gorgeous park is by Capability Brown.

Here are some of the spectacular locations – the costume designers and camera folk must have thought they’d died and gone to heaven.  Literally every frame is a visual feast.  The last episode airs on Sunday in the US, but I think it’s available to download from iTunes and from PBS.org.  A new series is coming this autumn.

 

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More stunning photos of the locations are here

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Blog I Am Loving – Kat Knit’s Project Project Runway

 

As you will doubtless know by now, I am a dyed-in-the-wool Project Runway fan, even in seasons like this when the fashion really is nothing to write home about.

So I’m loving this fabulous project happening on the blog Kat Knits where Kat, and also her friend Susi, both take 15 hours to follow each Project Runway challenge to the letter and create outfits for a doll.

From creating a stunning handbeaded element for the couture challenge

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and its ready-to-wear counterpart

 

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to printing a custom fabric for the fabric challenge

 

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to knitting a tiny ensemble for the sportswear challenge

 

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to punching out from ribbon and glueing hundreds of tiny circles for the ‘party store’ challenge

 

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and knitting tiny accessories for the team challenge.

 

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There’s much more to see on the blog, including all the workroom ‘drama’ and if you haven’t discovered it already go and say hi to Tom and Lorenzo at Project Rungay for everything you ever wanted to know and then some about the show (which is where I found out about this blog).

Update

I can’t wait to see what they comes up with for last night’s  ‘Design a Grey Shapeless Sweatshire for Heidi Klum’s Vanity Line’ challenge. Best of luck to them both.

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Things I Am Loving – Moomin Wallpaper

 

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The Minx and I spent a lot of time on our recent holiday reading Finn Family Moomintroll (which was aces, just as cool and fabulous as I remembered it) and I’m wishing I had the courage to decorate my kitchen with these gorgeous wallpapers from Photowall (though it looks like you’ll need to grapple with Swedish to buy them).

 

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As an aside, can anyone recommend good chapter books for a five year old ? We’re currently hugely enjoying Junie B Jones, who regularly makes us cry laughing, but I’m finding it difficult to find books suitable for a fluent reader, but age-appropriate in content (and no, not the vile Rainbow Magic fairies, which the Minx utterly adores, and which I couldn’t loathe more if I tried).

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Go Fug Your Room – Carrie and Big’s Apartment

 

Well, we all know the movie’s crap – two of the best reviews here and here –  but what did we think of the set design?  Most specifically what about Carrie and Big’s new grown-up married folks apartment?

Carrie confesses in the film that over the past year or two she’s been ‘cheating on fashion for furniture’ and she’s been working with same designer, Lydia Marks, who also revamped her apartment in the first movie.

So let’s take a tour.

One of my main bugbears with this new apartment is the colour scheme, which is basically blue and brown. I know Carrie is trying to create an environment that Big will also feel at home in, but it just makes everything seem rather dark and depressing and yet again very not Carrie. I know she’s grown up now, but where’s the fun, the liveliness, the inventiveness, the eccentricity and the bohemia?

 

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The entrance way sets the tone for the whole, some great pieces – love the wallpaper and green glass bottle -  but just a little too fussy and cluttered and somehow old fashioned. Would Carrie really have a glass case of dead butterflies on display?

Entering the living room, I like this view of it. The Rug Company rug is beautiful, as is the coffee table, though, as in her old apartment, the sofa and chairs still seem rather more for ‘perching’ than truly relaxing, though much is made in the movie of Big turning into a couch potato.  I think I like the gold painting though I can’t help thinking that Big and Carrie would have a more striking piece of modern art. 

 

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Paul Smith got an excellent bit of product placement in here with his ‘Birdie Blossom’ cushion, which Carrie is seen cuddling like a new lover.  It’s lovely, though I’m not sure the pattern really works here, but it does seem more authentically ‘Carrie’ than much of the rest of the stuff.  It’s also great to see all the books everywhere. One of the things we all complained about last time was the lack of books in bookworm Carrie’s apartment.

 

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From here though things go downhill faster than an Olympic skiier. This view of the sitting room is a cluttered and fussy as a pair of Queen Victoria’s bloomers.  There are just too many little pieces of furniture, too many patterns and too many little splashes of colour against horribly dark and serious walls.

 

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This little seating area seems especially ridiculous. Are Carrie and Big really going to sit here as if they were in doctor’s waiting room taking afternoon tea? Isn’t this the perfect spot for a huge comfortable reading chair facing out towards the view?

 

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 Sex and the City 2

 

I like the lighter fresher feel in the formal dining area. The Lee Jofa fabric works well and the light fitting is wonderful, though shelves could do with a bit of editing. It goes through to what I think must be the kitchen, though it seems rather impractical to cook in, and I would never, ever, EVER put a rug, however pretty, in space for cooking.  But maybe that’s just me.

 

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Looking to the left from the entrance hall we catch a glimpse of the bedroom, with another fabulous light fitting in the small library and beautiful Cole & Son wallpaper on the bedroom walls, which echoes the paper in the hall.

 

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Carrie makes a huge amount of fuss in this movie about Big’s purchase of a big TV for their bedroom, thus confirming a) that we were right that the big TV in Carrie’s old apartment was incongruous and out of character and b) the TV product placement people have a lot of money.

 

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The bedroom feels a bit ‘hotelly’, but I do like the way they’ve echoed the pattern on the wallpaper with the headboard.  And below we’ve got another lovely rug/useless seating area/boring artwork situation happening.

 

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The piece de resistance is naturally the closet, with ridiculously twee ‘his and hers’ sides.  I know people have been charmed by this conceit, but to me it looks as ludicrous as having two different his and hers sinks, one ‘feminine’ and one ‘masculine’ side by side in a bathroom. 

 

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Not bad shoe storage though. 

 

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(By the way Habitually Chic has put together a great post on where to source many of these pieces, including identifying the books that Carrie and Big are currently reading.)

 

So what do you think?  Additional comments hugely encouraged.

 

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Vote Early, Vote Often

 

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Portrait Badge of Emmeline Pankhurst c. 1909 From the Museum of London.

 

Feeling bad today as for the first time in my adult life I’m not going to be voting in a UK Election – for some unfathomable reason we just forgot to register. I hope that Mrs Pankhurst, wherever she is, can find it in her heart to forgive me.

It’s made even worse because today is the first election I can remember where it really isn’t clear what the outcome is going to be, and so it is all rather exciting, though in a somewhat depressing way, as none of the candidates are particularly inspiring. Where is a Barack Obama when you need him?

Still we have the Prosecco on ice in the hopes that by tomorrow the rather unpleasant Gordon Brown will no longer be Prime Minister. (Champagne doesn’t seem appropriate given the parlous state of the British economy whoever gets in).

I’m going to be watching the all-night coverage via The Telly, worth hooking up to for any other British expats out there.

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