Pearly Kings and Queens

One of the main things that really drew my eye to the Lulu Guinness spread was the magnificent Pearly Queen of Dalston  wallhanging above the banquette. I love everything about it – its wit, the fact that it’s made of buttons, its quintessential Englishness, the colours – and it seemed like just that sort of thing an expat Londoner would hang over her Seattle sofa.

I even vaguely thought about commissioning one, but it soon became clear from sculptor Ann Carrington’s website that it would be way out of my league – it’s apparently a fairly important piece, purchased by the Rothschild collection in honour of the Queen’s 80th birthday, and doesn’t belong to Lulu Guinness at all, it merely served as the inspiration for her limited edition ‘Stamp Jayne’ handbag (shown to the left of the banquette picture and seemingly no longer available through her shop).

Here it is in more detail

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And here are some other works by the artist, both made using thousands of tiny pearl buttons.

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I wonder, though, if American readers are getting the cultural reference?

Pearly Kings and Queens are the heads of certain families in London’s East End, descended I think from Victorian costermongers (street sellers?) who decorate their black clothes with thousands of tiny buttons and do tons of work for charity.

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If you like the look then these cushions here are pretty special.

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Go Love Your Room? – Lulu Guinness

I’m a little bit on the fence about this one, as it’s a little too romantically girly for my taste, but there’s still a lot to love in Lulu Guinness’ Notting Hill house.

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Love the refreshing colours, but there’s too much spindly furniture – which never looks comfortable and wallow-y

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My least favourite room in the house.  I love her bags, but I’m not a fan of LG’s bedding (it’s from her homewares range) and the mural commissioned from an art student doesn’t redeem things much. And I do wonder who dusts that collection of powder compacts.

First up the bones of the house are superb – the Victorian houses built in Notting Hill are larger and grander than in other parts of London, so the proportions are generally, as in this case, more splendid.

And there’s something about the quality of the light there, I lived in Notting Hill for twelve years and even on gloomy days it always seemed brighter and lighter than the rest of London – something to do with the white coloured houses and the sunset views to the west.  But maybe it was just because I loved living there so much.

But I digress.

I love the eclecticism of the decor, the bold use of colour, the collections of objects which are clearly much loved and personal and the way the whole thing reflects LG’s own quirky feminine but slightly kitsch style. (Is she well known in the US? I haven’t come across her here.  In the UK she is renowned as a handbag designer, but she also designs homewares.)

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I ADORE the pearly queen wallhanging and her tchotchkes (one of my favourite American words) are mostly fab though wonder how practical it is to have everything lined up behind the banquette like that.

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The other interesting aspect is how the house has evolved since it was last photographed in 2001 (seen here on Hidden in France) – LG has kept many of the same pieces but the style is a little more pared down and the colour palette more restrained, with much more use of white.  It’s so refreshing to see a wealthy person who doesn’t throw everything out and start again every few years, but who keeps their house full of familiar, much-loved  treasures.

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Kitchen 2009

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Kitchen 2001

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Just loving all the perspex and the black and white

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I’ve always loved her trademark perfume bottles

What do you think? {All images, by the way, from Living etc}

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Seeing Things – the Surreal Line

What I like about art is that sometimes it teaches you to look at things with a different perspective.

In my life I must have spent thousands upon thousands  of hours commuting backwards and forwards on the Tube in London, but never once did I think to look for these surreal juxtapositions of Tube trains/passengers and the huge ad posters which are posted on the other side of tunnels from the platforms.

Genius stuff. By Yusuf Ozkizil.

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And now these pictures have got me all nostalgic for the Tube.  Who knew that I would think of those days of being crammed in like sardines with one’s nose stuck in someone’s smelly armpit with such fondness?

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Dead Good

We’ve talked about British furniture company Deadgood before and I’m completely smitten by the cute little ‘Capsule’ sofa and chair they unveiled at 100% Design.

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Who are the good independent furniture designers in the US?  I’d love to find stuff like this here, but don’t seem to be able to track it down. (Check out more from 100% Design – oh how I miss it – here)

Update: Just editing to show the comments that have been appearing on my Facebook page….maybe I’m liking this chair a little less now…

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Plates with Holes – Andrew Tanner

Not terribly practical if you’re chasing your peas round your plate, but I do like the way these wall plates with holes subvert the whole plate as practical item concept.  And look nice too.

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All details of British designer Andrew Tanner’s Silhouette plates are here.

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Scribbler on the Wall – Charlotte Mann

Feeling down because you can’t afford the latest must-have chair, your partner is allergic to the cats you love, or the view from your window is less than stellar?

Why not just grab a black marker and paint the things you crave on your white walls instead? That’s what London artist Charlotte Mann does, which has garnered her a spot on the shortlist for the British Design Awards 2009 in the Surface Design of the Year category.

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Image of journalist India Knight’s house from October’s Elle Deco

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All other images from www.charlottemann.co.uk
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Jubilee

Isn’t this rather gorge? It doesn’t quite fit into our house decor, and it costs an absolute fortune, but je l’adore, oh yes I do.

To me it sort of sums up Britain in a way – different and edgy, fun and funky, a mish-mash of styles, slightly uncomfortable-looking and with a heart of pure unadulterated old-fashioned chintz.

 

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Available at the Rug Company, { via Countryside Wedding}

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The Desserts of Summer – Lemon Frosted Pistachio Cake

I already wrote about this cake from Nigel Slater’s The Kitchen Diaries when I was also writing the blog A Year of Living Gorgeously, so there’s more cake-y description, links and photos here

However the inlaws are in town, so the Minx and I whipped up another cake and I made a few modifications to the original recipe to make a bigger cake, so I’m writing out the full recipe here.

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Here’s the cake in its latest incarnation.  Perhaps one day the Minx and I will manage a tasteful version.

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I have a 23cm cake tin instead of the 22cm one specified in the recipe and used to end up with a slightly flat cake, so I have modified this by ‘adding a little bit more’ to the butter and dry ingredients which seemed to work although they weren’t precisely calculated.  The amounts I used are given below. In order to keep the ratio of dried ingredients to wet similar, I also added one tablespoon of olive oil, which I’ve used before in dense, moist middle-eastern type cakes such as this and which was a super successful addition.

If you want the original recipe for a 22cm tin then there is a link here.

Lemon Frosted Pistachio Cake (from the Kitchen Diaries, with slight modifications)

275g butter

275g Caster (baker’s) sugar

3 eggs

Shelled pistachio nuts 100g

Ground almonds 130g

A large orange

1 tsp rosewater

1tbsp olive oil

75g plain flour

 

Preheat the oven to 160 degrees C/Gas 3.  Line the bottom of a non-stick 23cm cake tin with baking parchment.

Cream the butter and sugar in a food mixer until very light and fluffy. Add the eggs one at a time, beating between each addition. Blitz the pistachios to fine crumbs in a food processor, then add them, with the ground almonds to teh butter an dsugar. Finely grate and squeeze the orange, then stir it in with a the rosewater. lastly fold in the flour with a large metal spoon.

Scoop the mixture into the lined baking tin and bake for fifty minutes (I usually need to add 10-20 mins but start checking at 50) covering the top lightly with foil for the last ten minutes (I never bother). Chek the cake by inserting a metal skewer (I use uncooked spaghetti) into the centre. It should come out fialry clean, without any wet mixture stuck to it. Leave to cool in the tin before running a palette knife around the edge and turning it out.

Decorate with icing made from 200g sieved icing sugar and the juice of 1 lemon.

You all know how much I love my American readers (and er, those in Liberia and Myanmar), but today I really can’t be arsed to translate all the quantities into pounds and ounces.  If must insist on being pretty much the only nation not using metric measures then Google is your friend.

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Little Bo Peep

Funnily enough one of the things I miss most about England is sheep.  There is something so very quintessentially English and homey and comforting about a windswept hillside dotted with fluffy white blobs – a sight I don’t think I’ve ever seen in America, the land of the cow.

Lamb here is an exotic meat – tucked into a corner of the supermarket at the end of the huge counters displaying every possible cut of beef, chicken and pork, and viewed with some suspicion.  It’s rarely on the menu in restaurants, I’ve never had it served by American friends in their homes, and a waiter once told me that I may not like a lamb dish because the lamb taste might be ‘too strong’.

Anyway, I like this story, because it is so very English, so very charming and so very sheepy.  Vegetarians may be aghast to note that not only did sheepbreeder Louise Fairburn make her wedding dress from the fleece of her Lincoln Longwool sheep, but she served lamb from her flock to her guests.

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Full article here, {via Rose-Kim Knits}

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Alexander McQueen’s (Ex) East London Home

As you know around here we’re rather partial to a peek at fashion designers’ houses (we’re looking at you Matthew Williamson, Betsey Johnson and Vanessa Bruno), so here for your delectation and delight are pictures of Alexander McQueen’s East London townhouse. {From the Real Estalker via the HolyMoly mailout – yes I do read it}

I don’t think it’s fair to make this a ‘Go Fug Your Room’ candidate as these photos are only estate agent’s photos and don’t fully reflect McQueen’s personal style, but it’s still interesting to snoop.

Personally I’m finding this rather boring.  As you may have guessed I’m not hugely into minimalism at the best of times, but this strikes me as rather boring minimalism. My main gripe is with all the square and boxy built-ins – I prefer a few elegant curves in my rooms.  And that house looks as if it dates from the 1850s? so it probably had quite a few nice original features – ceiling mouldings, fireplaces etc -  which have all been summarily destroyed.

I also have to say that this house could benefit hugely from a bit of American-style home staging – some pictures, maybe a rug and a funky chair here and there would make all the difference.

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I am loving the roof deck (though for me the glass skylight directly above the bed is not exactly a selling point), the pond thingy (pool?) and what we can see of the outside spaces though. Here the minimalist lines are softened by the plants, though a few flowers wouldn’t go amiss.

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Anyway, if this house is for you it will only set you back 1.7 million pounds (I’ve just got a new computer and now have no idea how to find a pound sign) or around $2.8 million.  Please bear in mind though, that this house is in Hackney, one of the, shall we say, edgiest areas of inner London.

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