More Cooking In Translation – Hot Cross Buns

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My photo of the buns

It’s funny how important the ‘old country’s’ food traditions become when you move abroad.  Hot cross buns are now available all year round in England and are no longer such a big deal – though I still remember fondly feasting on hot cross buns for breakfast on Good Friday morning and being excited because my father was home on a Friday (Good Friday is a public holiday in the UK).

But here they scarce as hens’ teeth and need to be sought out even at Easter time. And even when you can get them, they’re somewhat spoilt by having an cross piped on them in white icing.  Which is OK as far as it goes but means you miss out on the essential splendour of toasting the buns and serving them oozing with butter.  They’re supposed to be hot. (The clue is in the name).

So yesterday the Minx and I set to work.  Having had only mediocre success with the usually reliable Delia in the past, I used this recipe from the BBC website which came highly recommended by some food blog or other (I’m sorry I can’t remember which).

And then I came across my usual raft of translation issues. 

I couldn’t find a source of fresh yeast (a big fat boo to the Essential Baking Company – I’m not linking to them –  who refused to sell me any) so substituted one of those little sachets which seemed to work fine.

‘Mixed spice’ is a unknown quantity here.  I had to look that up on the Internet, to find that it’s a mixture of cinnamon and nutmeg with possibly some cloves and ginger.  So that could be recreated.

Mixed peel, however, was impossible to track down. Chopped, candied citrus peel turns up in all sorts of British home baking and is traditional in hot cross buns, even though the slightly bitter flavour is disliked by many and the peel if often picked out.

But who knew?  I made the buns without and although they tasted wonderful that slightly bitter edge was definitely missed.

I followed the recipe and piped on crosses of flour and water paste which are then baked in the oven so they form an integral part of the bun. And then we gobbled them up, hot from the oven, with plenty of butter. Although the Minx proved how American she has become by requesting a ‘cold crossed bun’ sic.

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The Minx’s photo of the buns taken with her new camera.  We were both so proud. 
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My new crush

I’ve always had a bit of a soft spot for Piers Morgan, mostly because, well, I’m a sucker for any man who can make me laugh.

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But watching Piers being utterly and totally obnoxious here on the Celebrity Apprentice –  running rings round all the has-been actors, singers and sportspeople, because he has more business-savvy in his little finger than all of them put together and a fatter contacts book even in New York than all the Americans on the show –  has been utterly hilarious TV. 

He is another in the long line of outspoken Brits (such as Simon Cowell and Gordon Ramsay) who don’t give a flying f*ck what anyone thinks of them and are so shocking to Americans because everyone here is so concerned with their public image.

And somewhere buried deep in all the ridiculous shenanigans with all the ridiculous people, there are some interesting business lessons to be learned about the power of networking, the value of just mucking in and getting things done even if you have to parade through the streets of New York dressed as King Arthur, and the fact that you can say practically anything in a British accent and people will take you seriously.

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Cooking in Translation

 

It's funny the things you end up missing as an expat.  Who would have imagined that glace cherries would be among them? But I haven't been able to find those ridiculously sweet and sugary candied fruits in US supermarkets, until a few weeks ago when I found a pot in DeLaurenti, Seattle's legendary Italian deli.

 

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So the Minx and I set to with a will to make Nigella's Cherry Almond Loaf Cake from How To Be A Domestic Goddess, mostly so that the Minx would get to experience that quintessentially British childhood cooking experience of shoving as many sickly sweet and sticky cherries into her gob as humanly possible.  It is no coincidence that Jane Brocket from Yarnstorm's new book on classic childhood cooking will be entitled Cherry Cake and Ginger Beer.

 

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Note that my precious cherries were of the traditional lipstick scarlet variety and probably full of unmentionable additives.   Nigella suggests using the more natural dark red ones, and yes, Nigella, I would if I could.

 

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Cooking from a UK book in the US is not without its challenges. You will notice that UK books use metric measurements instead of cup measures (to which I have become entirely converted since living here).  So I first had to fiddle with my scales to stop them weighing in pounds and ounces.  (The hyperlinked recipe above gives quantities in cup measures, presumably from the US version of HTBADG).

Self-raising flour also doesn't exist in the US, so I had to refer to the Internets to find out how to make it from plain flour (add 1tsp of baking powder to every 125g/4oz of flour according to Good Housekeeping). And then I had to use the Internets again to find out how to convert centigrade temperatures to Fahrenheits. Can someone somewhere please unify all these measures immediately? It really is doing my head in.

But the resulting cake is one of those quietly delicious cakes that you appreciate much more in adulthood.  I had to add a brown sugar crust (not exactly a hardship) to appease the Minx's disgust at the lack of 'sprinkles'. And yes, the cherries did sink towards the bottom of the cake, as is only traditional and right.

 

 

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An Entirely Satisfactory Evening

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A bowl of linguine alle vongole  from Nigel Slater’s The Kitchen Diaries (the clams in this part of the world are so good and so cheap).

A bar of Green & Black’s Almond chocolate (if you couldn’t get this in Seattle I would have returned to the UK by now).

The definitive BBC version of Pride and Prejudice with Colin Firth and Jennifer Ehle (the perfect Lizzie Bennett, eat your heart out Keira Knightley) on the telly.

Some knitting.

No, I’ve not exactly become American quite yet.

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Go Fug Your Room – Kelly Hoppen

With apologies to the Fug girls.

I have been discussing with Elaine from my new BFF blog Decorno the importance of having opinions, of which she has many very forthright ones.

As a cynical Brit I do find the ‘hearts and puppies’ stuff you find on some other blogs a bit difficult to cope with, so I’ve been thinking for some time of doing a ‘rooms I hate’ series on here.  Though I was gutted to find that Elaine already does this (and much better), if you want more snark.

But I digress. Today’s room is from the doyenne of British interior design Kelly Hoppen.  Ms Hoppen has built an empire on designing rooms for people with so little personality that even colour is considered to be freakishly avant garde.  She has even produced a range of beige paint. Her rooms shriek ‘good taste’ so loudly that they end up having not much taste at all.

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This example from Homes and Gardens is apparently part of a new London house built for an American client.

I have to say that I do like how she plays with different textures within the neutral palette, and her signature black wenge floors and the subtle pleated pelmets at the top of the curtains which work in a room this big and imposing.

But everything, from the immense table, to the huge black armoire and the heavily bevelled mirror is just so stolid; and a room without colour would drive me me mad in about thirty seconds (just one little hot pink flower arrangement somewhere PLEASE); and I hate that this is a brand new house but filled with repro details; and the way the knick knacks have clearly been bought in by the yard and there’s not a single thing in here that is treasured or has history. And most of all I hate that the chairs are wearing dresses.

Didn’t chair dresses go out in the 80s?  Weren’t they just things in ‘Ideas for Soft Furnishings’ books that no one ever made?  Or if you did make them it was to disguise the fact that your chairs were all mismatched and rickety and came from a junk shop?  Which I hardly think is the problem here, since the table apparently costs upwards of £50,000. And the wonky seam on that chair with its back to us is driving me nuts.

What do you all think?  Get dissing discussing in the comments.

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Atonement

I finally got to see Atonement last week.

A great film, which stayed with me for days afterwards – always a good sign.  A wonderful performance by the girl playing the young Briony Tallis and even Keira Knightley managed not to set my teeth on edge too much.  And James McAvoy is of course very easy on the eye. In fact the whole film is ravishingly shot – it must win Oscars for cinematography if nothing else.

It was also a very faithful adaptation of Ian McEwan’s book and managed to conjure up the same atmosphere with images and sound that he does with words.

The evocation of a hot, humid, sticky, oppressive English summer’s day is particularly well done in the film. This article is well worth reading as it explains how the set designers went about creating the atmosphere of an overblown, high summer day, just tipping into decay, by adding lots of green to the set (including, obviously, Keira’s iconic green dress).

Stokesay Court was the house used, unusually, for filming both interior and outside shots, and it appears to be a fabulous example of Victorian nouveau riche excess and lack of taste. 

Every single surface is overloaded with pseudo-Elizabethan, Jacobean, Gothic, you name it ornamentation and really serves to heighten the sense of brooding oppression and of a rigid class system which the war is about to tear apart.

This article from the Daily Mail gives a really interesting history of the house and also tells how production designer Sarah Greenwood chose the house for its dark, stolid wooden inner hallway – the dark heart of the house and evocative of the story’s dark heart.  (Cue lots of scenes of Cecilia and Briony swishing up and down the staircase).

It also explains how one whole (ugly) wing of the house was photoshopped (or whatever the movie equivalent is) out in the film.

All photos from the Stokesay Court website.

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Happy Birthday to Me

I got a piece of Brie.

It was my birthday on our last day in London and my husband’s gift was a very smelly piece of unpasteurised Brie.  Never let it be said that that man is not a romantic. God it was good though.

We of course had a phenomenally lovely time. The sun shone (even on my birthday, which absolutely NEVER happens); we met friends and family seemingly at every hour of the day and night; the Minx was beside herself with excitement and kept exclaiming ‘ I LOVE England’; we went to a very glamorous and lovely party; and mirrormirror was successfully transferred to its new base in Cambridge. 

And the Minx only woke up twice last night and managed to sleep through to 6 am which is a new jetlag record. So life is charmed indeed. 

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