Heaven on a plate

I love this time of year at the farmer’s market, when there’s still lots of fruit, all the late summer vegetables of the Mediterranean are in full swing and pumpkins and squashes are starting to make an appearance.

Today the mushroom man had oyster mushrooms of the most exquisite pink, which of course had to be sampled.

We fried them in a little oil and butter in which a halved clove of garlic had been softened. (Actually I accidentally made a ‘beurre noisette’ because the Minx was refusing to go down for her afternoon nap, but it worked really well.)

We then sprinkled them with chopped flat leaf parsley, added a little seasoning, squashed them between two wodges of ciabatta and stuffed our happy, smiling faces.  I think this might be why I have a weight problem.

For the curious amongst you, the mushrooms turn a beautiful salmon pink when cooked.

For the even more curious I am dithering between making courgette flower pasta or risotto for supper tonight.

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Goldbrick House

PICTURE FROM GOLDBRICK HOUSE BLOG

Entrepreneurial readers may be as fascinated as I was by this blog, written by the team behind Goldbrick House, a new restaurant which has just opened in Bristol. It charts the ups-and-downs of opening a restaurant, from the initial idea to the eventual opening, and all the problems they encountered along the way.

I found it to be scary but inspirational reading, with sums of money at stake in a totally different dimension from those I have to fret about with mirrormirror. I thought I had enough problems keeping web designers etc. in line, but at least I don’t have to worry about planning permissions, acoustic reports and anxious investors. But lots of fascinating stuff about choosing the menu, developing the branding and logo and, of course, the interior design. Having seen the mood boards on the blog, I’d love to see the finished rooms, but can’t yet find them online. Oh and a friend of mine has just eaten there and was highly complimentary.

I wish now that I’d been blogging during mirrormirror’s development phase, though I don’t honestly know how I would have found the time. But there is something incredibly satisfying about creating something from scratch (we were even excited when our VAT number came through!) which you don’t get so much when watching a business grow slowly from day-to-day. It would be nice now to have a record of that period – all I really have to remind me are emails.

One day, when mirrormirror is rich and famous, I’d love to venture into the boutique hotel/chi-chi restaurant scene, though one clearly needs both the hide of a rhinoceros and the riches of Croesus to succeed. It may be sometime before I am ready to sally forth.

Yummy long weekend coming up, though unfortunately the weather doesn’t look terribly promising. We’re going to take the Minx to her first Notting Hill Carnival on Sunday afternoon and then are decamping to the Cotswolds for a bit of boutique hotel research here (we live slap bang in the middle of the Carnival, which means we have to escape after a bit as gets difficult to even walk out of our front door).

Just editing to say that Mike Bennett from Goldbrick House contacted me after reading this blog entry to send me a photo of the finished bar. I love seeing how mood boards translate into the finished article.

Courtesy of Mike Bennett from Goldbrick House

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Eurovision

Nigella’s brownies

Feeling somewhat the worse for wear today, following our Eurovision Song Contest dinner party last night.

For those of you not in the UK, Eurovision is a Europe-wide institution. Nearly every European country chooses a song and singer to represent them in the competition and each country then votes for the best song, usually following televoting in that country.

It all started fifty years ago – and was taken completely seriously in those days – but nowadays it has descended into a riot of kitsch, beloved by gay men and parents of young children who need something to do on a Saturday night.

So last night we printed off our scorecards and dutifully gave each entry marks for the song, performance, outfit and dance routine. We drank too much champagne in honour of our glamorous friend Inge (freelance beauty editor and sometime mirror mirror model)’s birthday; ate too much cheese fondue and salad nicoise (suitably Continental, yet cheesy, we thought); booed when Cyprus gave Greece its douze points as per usual; and cheered when Finnish ‘horror rock’ band Lordi (think Meatloaf meets the Lord of the Rings) emerged as winners.

For pudding I made a heap of Green & Black’s scrummy Chocolate and Dried Cherry Brownies and copied Nigella‘s idea to pile them up on a plate and cover them with birthday candles. We were too drunk to take a proper picture of the finished result, so instead I’ve scanned in the picture from How To Be A Domestic Goddess so you get the idea. (Don’t bother with Nigella’s brownies, though, which came out rather cake-y when I made them.)

On the subject of proper brownies, do any brownie experts out there know how I can achieve a proper chewy crust? The Green & Black’s brownies, while absolutely delicious, are quite soft and a bit short on chewiness.

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Faberge eggs

Here at last is the picture of my Easter eggs as promised. This year, in view of my weight-loss regime (of which, ahem, more later), I decided to go for quality rather than quantity with two exquisite painted eggs from Rococo chocolates. They looked almost too good to eat but somehow we managed. (The cellophane-wrapped object on the right is the little Easter nest, made of chocolate and Shredded Wheat, which the Minx ‘made’ for us at nursery – she is such a precocious child).

I also recently found these rather amusing instructions for creating Faberge Easter eggs from the quite brilliant Pimp My Snack.

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Tricolore

Today’s post was supposed to be full of images of a gloriously sunny early Spring day at the Princess Diana playground in Kensington Gardens – cutesy photographs of the Minx as she giggled in her swing, or of a tiny little Minx toddling along next to her very tall father. Except I forgot to put the CF card back in the camera.

So here instead is a photograph of my lunch. One of the best things about La Dolce Vita was the charming Neapolitan fruttivendolo (greengrocer) whose stand was laden with all manner of new season fruit and veg from Naples and Sicily. I normally try to buy seasonal produce rather than tasteless green beans which have been flown half-way round the world from Kenya or Peru, so it was wonderful to buy a huge bag of ripely red cherry tomatoes, a bundle of perky asparagus and a succulent, creamy mozzarella di bufala, after a winter of Savoy cabbage and purple sprouting broccoli (much as I love them).

Today we made the first insalata tricolore* of the year. I cannot describe how sweet and fragrant those tomatoes were – a million times more delicious than the wildly expensive imported red bullets which masquerade as tomatoes in the UK.

*Slice up the tastiest tomatoes you can get your hands on (in the UK that usually means halved cherry tomatoes, in Naples they use huge tomatoes grown on the slopes of Mount Vesuvius which have the best flavour in the whole world.) Add slices of soft, ripe avocado – if you haven’t got a decent avocado then don’t bother and call it insalata caprese instead. Top with buffalo mozzarella or mozzarella fior di latte (just tear it up with your fingers) and scatter on some torn up basil leaves. Season with salt and drizzle with a good quality olive oil. I usually use O&Co’s gorgeous basil oil to add more flavour to the tomatoes available in the UK, but all these tomatoes needed was a peppery extra virgin.

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Cultural afternoon

Six mummies, six babies and six buggies (and NO lift, thanks V&A) finally made it to Fashion-ology – the V&A exhibit on Anna Piaggi, the legendary writer for Vogue Italia and designers’ friend and muse.

The exhibition was interesting but ultimately slightly disappointing – too many display cabinets showing back copies of Vogue and not enough of her fabulously eccentric clothes. I must confess that I also didn’t really know enough about her to understand exactly what I was seeing at the time – now that I’ve had a chance to read the excellent mini-catalogue, I’d like to go back and see the exhibit again.

To me there was also an element of ‘The Emperor’s New Clothes’ about it all. It can’t be denied that her clothes, while undeniably striking, eccentric and most beautifully made, are often completely ridiculous. Still it must be nice to be able to just phone up one of your designer friends, tell them that you want to look like a magazine or such like and have them run up a little number for you.

We also applauded the fact that Anna checks out the location of a soiree or reception ahead of time, to ensure that her costume is appropriate.

I actually much preferred the second fashion exhibit currently on at the V&A – Popaganda: The Fashion and Style of Jean Charles de Castelbajac . This was much more about the clothes, cabinets full of crazy, experimental, humorous Pop Art clothes, which, with the benefit of hindsight, one could tell had been both hugely influential on recent fashion trends and occasionally looked surprisingly wearable.

I loved the iconic fur coat made of teddy bears, the ‘Tribute to Jimi Hendrix’ mini dress with afro hair tutu and the parachute ballgown, though I must confess to having a soft spot for de Castelbajac ever since someone gave me his perfume when I lived in France twenty years ago, which I wore all the time until I ran out and couldn’t find it in England.

Interestingly the Minx was also completely captivated – though I think mostly by the accompanying pounding music and the great lighting. She did however stare long and hard at this outfit before looking away rather bewildered. Surrealism is clearly wasted on the young.

We repaired afterwards to Patisserie Valerie on the Brompton Road, which was VERY child-friendly, with handsome waiters for the Minx to flirt with and the best ‘pain au raisin’ this side of of the Channel and agreed that our cultural afternoon had been a roaring success.

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